Field Notes

I thought I’d do another post about the MSSIAH cart, since its by far the most interesting piece of hardware in my studio at the moment. For this months rcc I wanted to do something with the bassline application. In contrast to my previous explorations this time I came fully prepared, printed manuals at the ready.

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The bassline is of course limited in the amounts of sound it can produce, as it is meant to mimic the classic TB-303. The “Transistor Bass”, while being a great synth, is possibly the most cliché thing any studio doing electronic music could feature. I’m not very interested in how accurate the cloning of the sounds are, as every instrument is and should sound different. But I can say this: They successfully transferred the things that are fun about the TB-303 to the MSSIAH.

The best thing about this cart is of course the whole idea of making new software for a 25 year old hardware platform. Some corners have to be cut of course, and 8-bit ventures do a great job of navigating between the flaws in the c64 computer while keeping the cart easy to use in the hands of non-technical musicians. The whole sampler application (another review for another day) is for example built around a bug in the SID-chip. It wasn’t intended to work as a sampler at all..

You get a wide array of different ways to play and use the synth. You can hook it up to your midi sequencer and just play notes, while still being able to do glides and accents, or you can trigger patterns from the midi sequencer, OR most interestingly of all you can let Bassline do its thing and only slave it to the midi clock. This is perhaps the most interesting mode of them all, since it allows you to control every parameter of the synth with CC midi messages from your midi sequencer. Transpose the pattern, turn up the accent. Tweak the filter, fantastically useful.

On the other hand if you prefer to keep things hands-on you can also run it competely stand-alone. If you feel like doing some light soldering you can even add potentiometers to the top of the casing of the c64 and use them to control the synth realtime as it plays.

So in essence, this is a geeks wet dream. 8-bit ventures have done their homework well.